{"title":"Art Books","description":null,"products":[{"product_id":"kerry-james-marshall-by-mark-godfrey","title":"Kerry James Marshall by Mark Godfrey","description":"[ACC Art Books]\n\nThe largest UK survey of Kerry James Marshall's work to date, with a new series of paintings made especially for the exhibition.\n\nKerry James Marshall: The Histories is the most extensive publication on the artist to date, celebrating half a century of his work. It reveals the complex ways in which he has transformed histories of Western painting, centering Black bodies in ambitious compositions set in barber shops, public housing projects, parks, and beauty salons. It charts his use of portraiture to memorialize individuals such as Nat Turner, Harriet Tubman, and Olaudah Equiano. A new series, illustrated here for the first time, looks at under-acknowledged aspects of the history of Africa. With lavish illustrations of all the works in the accompanying exhibition, it also includes chapters on Marshall’s Rythm Mastr project and his various public commissions including his stained glass windows for the cathedral in Washington D.C.. A survey by Mark Godfrey is accompanied by shorter essays by Aria Dean, Darby English, Madeleine Grynsztejn, Cathérine Hug, Nikita Sena Quarshie, Rebecca Zorach, and an interview between Kerry James Marshall and Benjamin H.D. 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Through the depth of these images, constructed one stroke at a time, the emotional substrate of our reality is revealed. —Lucas Zwirner, “The Profession of the Painter,” in Angel\n\nAngel, Peyton’s debut monograph from David Zwirner Books, explores the artist’s extraordinary ability to identify with her subject matter, from Ang in the Mountains and Mani Rimdu to the subjects of Elvis Angel (Elvis' Eyes) and Titanic (Jack \u0026amp; Rose). These are paintings that dwell in the permeability of light and space.","brand":"Simon \u0026 Schuster","offers":[{"title":"Hardcover; 92 pages \/ English","offer_id":52371428868312,"sku":"9781644231340","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/1a65419f7fd07b26acd81c40081be3299ca932593d543ecac0dc0b984d6cb94a.jpg?v=1788534854"},{"product_id":"philip-guston-by","title":"Philip Guston","description":"[ACC Art Books]\n\nIn 2026, the Musée National Picasso-Paris will present an exhibition dedicated to Philip Guston, bringing together a group of figurative works made by the artist responding to to Philip Roth's book Our Gang.\n\nFrom October 14th 2025 to March 1st 2026, the Musée National Picasso-Paris will present an exhibition dedicated to the American painter Philip Guston, bringing together a group of figurative works and drawings made by the artist responding to to Philip Roth's book Our Gang (1971). The exhibition will also show the satirical verve of Guston’s painting as well as a form of political commitment rooted in his discovery of Picasso’s Guernica, surrealism and Mexican muralism in the late 1930s.\n\nSupported by the Philip Guston Foundation and the artist's daughter Musa Meyer, who have entrusted the museum with the Nixon drawings series, as well as never-seen-before works, the exhibition will offer a precise look at Guston's work from the 1940s to the end of his life.","brand":"Simon \u0026 Schuster","offers":[{"title":"Hardcover; 224 pages \/ English","offer_id":52371429163224,"sku":"9782073128102","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/9d841939601540fa3299b2b13ec4ad64ced4597e2f16b5c11357346301c1ee30.jpg?v=1788534856"},{"product_id":"erwin-wurm-by","title":"Erwin Wurm","description":"[ACC Art Books]\n\nGestural sculptures formed in ceramics are the focus of Erwin Wurm: Dissolution. Wurm’s anthropomorphic ceramic sculptures, their forms oscillating between the ephemeral and the physical, are characterized by performative gestures. They affirm the inherent plasticity of the material clay, recalling the potency of bozzetti, in which artists from the Renaissance onwards were able to give direct expression to their innermost creative ideas. In Dissolution (2018–2020), Wurm sets out in search of a creative process that cannot be completely controlled. “Dissolution” has connotations of disintegration, decay, decomposition, and vanishing boundaries. The sculptures — with their protruding fingers, hands, lips, mouths, breasts, bellies, noses, and ears — force their way out of a clay mass.\n\nText in English and German.","brand":"Simon \u0026 Schuster","offers":[{"title":"Paperback; 64 pages \/ English","offer_id":52371429195992,"sku":"9783897906372","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/4cca30a42e0fe8b9a011243490bb466090f37dcd8393eddbc528b449e7696a5a.jpg?v=1788534858"},{"product_id":"felix-gonzalez-torres-by-felix-gonzalez-torres","title":"Felix Gonzalez-Torres by Felix Gonzalez-Torres","description":"[David Zwirner Books]\n\nOne of the most significant artists to emerge in the late 1980s and early 1990s, Felix Gonzalez-Torres’s reduced formal vocabulary, conceptual rigor, and evocative use of everyday materials resonates with meaning that is at once specific and mutable, rigorous and generous, poetic and political.\n\nFeaturing several key bodies of work from throughout the artist’s career, this publication showcases a series of distinct installations at David Zwirner in New York in 2017. The interplay with the specific architecture of the gallery and the way works are installed is highlighted throughout the catalogue, with images that explore the poetics of how space and work influence each other. Together, in their radical openness to interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself. 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While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.\n\nPresenting an important and timely overview of the artist’s work, this monograph brings together a broad selection of her sculptures, works on paper, and more. 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In the projects, experienced artists work from life models and photographs using various media, including pencil and charcoal, water paints, gouache, acrylics and oils, while galleries of art offer readers insight into how artistic techniques are employed by professional artists. More than 800 photographs make it easy to follow each tutorial, and the book is guaranteed to enthuse students and give them the confidence to express their unique vision and artistic style.","brand":"Simon \u0026 Schuster","offers":[{"title":"Hardcover; 256 pages \/ English","offer_id":52371430244568,"sku":"9780754835165","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/01d01078b281c175705b438b1021da6fec77b9ad8c773cfab4cb1c6650205362.jpg?v=1788534874"},{"product_id":"african-art-now","title":"African Art Now","description":"This deluxe hardcover survey, featuring profiles of 50 artists on the rise, is the definitive guide to contemporary African art.\n\nWith African artists attracting sizable audience numbers to museums, setting sky-high auction records, and appearing in mainstream press, it has become impossible to overlook the cultural significance of contemporary African art today. Author and curator Osei Bonsu's engaging profiles of leading African artists—along with gorgeous full-color reproductions of their work—introduce readers to a generation of movers and shakers whose innovative artwork reflects on Africa as both an idea and an experience. Using diverse forms, languages, and expressions to articulate what it means to be a part of the world, these artists generate alternate histories and imaginative futures—work that is both personal and political, universal and incredibly specific.","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":52371430375640,"sku":"9781797217208","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/0251f7ac0fb5818e3d5871bdcdd3ed5aabdd8afbae65dc9f6b71158fe3f5b402.jpg?v=1788534878"},{"product_id":"guerrilla-girls-the-art-of-behaving-badly","title":"Guerrilla Girls: The Art of Behaving Badly","description":"Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present.\n\nThe Guerrilla Girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world.\n\nThis book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions.\n• Each copy comes with a punch-out gorilla mask that invites readers to step up and join the movement themselves.\n• Captions by the Guerrilla Girls themselves contextualize the visuals.\n• Explores their well-researched, intersectional takedown of the patriarchy In 1985, a group of masked feminist avengers—known as the Guerrilla Girls—papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists.","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":52371430408408,"sku":"9781452175812","price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/e0f5474df3a7d0dff986039d22d8b6cd43211b70a2690d8c022d9252d50cb80e.jpg?v=1788534880"},{"product_id":"short-story-of-queer-art","title":"Short Story of Queer Art","description":"The Short Story of Queer Art offers a fuller picture of the history of art—from the barriers broken and breakthroughs that queer artists have made, to the important contributions to key artistic movements, and the forgotten and obscured artists who are now being rediscovered and reassessed.\n\nSimply constructed, the book explores over 40 key works and artists, from across the world and throughout art history, and links them to the most important movements, themes and breakthroughs. An eclectic range of art is featured, including Aubrey Beardsley's The Peacock Skirt, Frida Kahlo's Self-portrait with Cropped Hair, Cecil Beaton's Stephen Tennant in Costume as Prince Charming and Tamara de Lempicka's Autoportrait.\n\nAccessible, concise and richly illustrated, the book reveals the connections between different periods, artists and styles, giving readers a thorough understanding and broad enjoyment of the full achievements that queer artists have made with genres that include Classical art, Art Nouveau, Pop art, Street art and Video installations.","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":52371430441176,"sku":"9781399618748","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/16a5b6762d0ccec5bc0862ba3b35b4e7d78a49a7449e998fefcddc1973071d96.jpg?v=1788534883"},{"product_id":"rainbow-history-class","title":"Rainbow History Class","description":"As seen on Tiktok, Rainbow History Class is your entry into LGBTQ+ history, covering queer and trans stories from the ancient world through to lesser-known moments in recent history.\n\nSo much of queer and trans history and culture has been erased, but Hannah McElhinney, writer and creative director of Rainbow History Class, is here to help us all with this crash course. This history lesson isn't dry and academic, nor is it glitter-soaked or reductive. It's a comprehensive and entertaining romp through queer and trans history, full of secret queer codes, gender-bending icons, pop-culture knowledge and incredible activists.\n\nMore than anything, Rainbow History Class will make you feel connected to the stories of our rich and vibrant community.","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":52371430473944,"sku":"9781743798348","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/4f04eeb32d42f0520e61a93d5a16b783637a7ee01d20ef9864fe2581ff93f65b.jpg?v=1788534884"},{"product_id":"extraordinary-things-to-cut-out-and-collage","title":"Extraordinary Things to Cut Out and Collage","description":"• Make your own vision boards, birthday cards, and more with Extraordinary Things to Cut Out and Collage!\n\n• With an introduction to collage styles and tips on techniques and composition, this is an ideal activity for artists of all ages and abilities.\n\n• A perfect gift or self-purchase for anyone seeking arty fun and a great deal of sticky silliness!\n\nIf you want to discover the fun of collage then this fabulous book is the perfect kit. Highly respected and successful collage artist Maria Rivans has gathered hundreds of beautiful, quirky, and downright daft images, and they're all here for you to cut out and stick.\n\nSeparated into categories like people, industrial, art \u0026amp; culture, domestic life, nature, world, ephemera, and alphabets, the book is filled with images ranging from fruit to architectural details to planets and beyond.","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":52371430736088,"sku":"9781786274946","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/9dda517a535d8de0647fcbec9240f4d1ce13e7bd69699035d9c5e87be8e17bee.jpg?v=1788534886"},{"product_id":"kehinde-wiley-colorful-realm","title":"Kehinde Wiley: Colorful Realm","description":"This striking volume presents a new body of work by American painter Kehinde Wiley, who is best known for his vibrant portraiture of Black people that subverts the hierarchies and conventions of classical European and American portraiture. Drawing inspiration from Japanese nature paintings of the Edo period (ca. 1600–1868), Wiley parallels traditional techniques and materials in these monumental works. Exposed linen in the background of the paintings highlights the natural elements of the scenes while also preserving a delicate balance of untouched picture space. In recontextualizing the naturalist landscape genre from a non-Western perspective, Wiley activates diverse ways of thinking about man’s relationship to nature.\n\nFollowing the artist’s sixth solo show at Roberts Projects, Los Angeles, this amply illustrated catalog includes commissioned essays placing Wiley’s work within the historical context of Japanese painting as well as contemporary Black art. In Wiley’s own words, “In this new turn, I’m trying to break open the conversation again toward what nature really means in the 21st century, in an era of widespread ecological disasters. Our relationship with nature is increasingly in a perilous position. It invites a reinterpretation of not only an incredible opportunity to explore the vastness and the beauty of nature, but also the astonishing fragility and sadness that surrounds us, and lost opportunities.”\n\nKehinde Wiley (born 1977) was the first Black artist to paint an official US presidential portrait for former US President Barack Obama. Wiley has held solo exhibitions throughout the United States and internationally, and his works are included in the collections of over 40 public institutions worldwide.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431293144,"sku":"9781957920979","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/9aba001a64937b3ec6b210c62ca39da69c3128584293c74afd3169b295439ce3.jpg?v=1788534890"},{"product_id":"amy-sherald-the-world-we-make","title":"Amy Sherald: The World We Make","description":"This is the first comprehensive monograph on acclaimed painter Amy Sherald, whose distinctive style of simplified realist portraiture features African American subjects rendered against colorful monochrome backdrops or in everyday settings. Sherald rose to fame after being chosen by former first lady Michelle Obama to paint her official portrait for the National Portrait Gallery in Washington, DC, in 2018, becoming the first African American woman to receive this honor. In addition to reproductions of Sherald’s recent works, the book—published to accompany her solo exhibition at Hauser \u0026amp; Wirth London in fall 2022—includes illustrations of earlier paintings, as well as an intimate glimpse into Sherald’s process and practice through a series of in-studio photographs. Newly commissioned texts include an art historical analysis of the artist’s work by Jenni Sorkin; a meditation on the politics and aesthetics of Sherald's portraiture by cultural scholar Kevin Quashie; and a conversation between Sherald and acclaimed author Ta-Nehisi Coates.\n\nAmy Sherald was born in Georgia in 1973 and received her MFA in Painting from the Maryland Institute College of Art in 2004. 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Nara’s oeuvre takes inspiration from a wide range of resources—memories of his childhood, music, literature, studying and living in Germany (1988–2000), exploring his roots in Japan, Sakhalin and Asia, and modern art from Europe and Japan.\n\nSpanning 35 years (1985 to 2020), this book—which accompanies the major career retrospective organized by the Los Angeles County Museum of Art—presents the full range of Nara’s work. It also examines the artist’s work through the lens of his longtime passion—music—and features “liner notes” written by the artist about various albums in his personal collection of 1960s and 70s folk and rock albums, published in English for the first time.\n\nThe book features paintings, drawings, sculpture, ceramic figures, an installation that re-creates his drawing studio, and never-before-exhibited idea sketches that reflect the artist’s empathic eye, shining a light on Nara’s conceptual process. Readers will see the evolution of a dynamic artist who has become more contemplative with age.\n\nYoshitomo Nara was born in 1959 in Aomori, Japan, and graduated with a master's degree from Aichi Prefectural University of Fine Arts and Music and later studied at Kunstakademie Düsseldorf. In the fall of 2010, the Asia Society in New York presented the first major New York exhibition of his work. 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Leigh's art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture. This publication includes substantial new scholarship addressing Leigh's work across mediums and topics. The volume, timed with the artist's first museum survey and national tour, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh's voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh's research methodologies and encourages readers to fully engage with all aspects of Leigh's work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist.\n\nBorn in Chicago in 1967, Simone Leigh received a BA in fine art with a minor in philosophy from Earlham College, Richmond, Indiana, in 1990. In 2022, Leigh represented the United States at the 59th Venice Biennale with her critically acclaimed exhibition Sovereignty. She has had solo presentations at the Kitchen, New York (2012); Creative Time, New York (2014); New Museum of Contemporary Art, New York (2016); Hammer Museum, Los Angeles (2016); and the High Line, New York (2019); among other venues. 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Layering transparent glazes of red, yellow and blue paint, Close created an effect of abstract likeness entirely different from that of his previous work. Alongside studio photography and images of Close’s mosaic works, this volume features a previously unpublished 2018 interview between Close and Cindy Sherman—originally commissioned by the Brooklyn Rail—as well as a new critical essay by Carter Ratcliff, which considers Close’s final works in depth. An additional essay by Barbara Knappmeyer examines the artist’s portraits in the context of facial recognition technology.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431424216,"sku":"9781948701709","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/a7351a6cee5642492d8f0926fac1341be7f0df4cb40d46ae219c1f452057061f.jpg?v=1788534897"},{"product_id":"marina-perez-simao","title":"Marina Perez Simão","description":"This stunning clothbound volume on Sao Paulo–based painter Marina Perez Simao (born 1981) guides the reader through her riotously colorful visual journeys as she blends abstraction and figuration in depictions of abstract landscapes, visions and memories. Simao’s critically acclaimed recent exhibition at Pace Gallery in New York featured a series of paintings created during the isolation of the COVID-19 pandemic, propelling her to further acclaim in the US. This volume cements her reputation as a rising star of contemporary painting.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431456984,"sku":"9780578997568","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/0c7c9a04f56aba871a96bead055b843d80e97ef04768d37eed7af07b406dd909.jpg?v=1788534899"},{"product_id":"glenn-ligon-work-work-work-work-work-work","title":"Glenn Ligon: Work, Work, Work, Work, Work, Work","description":"For four decades, New York–based artist Glenn Ligon (born 1960) has explored America’s literature and fraught racial history through works in a few signature mediums such as text-based paintings and neon. This volume, through studio documentation and a new text by fellow artist and New Yorker Gregg Bordowitz, focuses on various aspects of Ligon’s art-making. Glenn Ligon features newer works by the artist, such as a monumental new painting from Ligon’s ongoing Stranger in the Village series, begun in 1997. In the series, Ligon renders excerpts from novelist James Baldwin’s 1953 essay of the same name, which describes the writer’s experiences as an African American in a small town in Switzerland. Measuring 45 feet long, this triptych will mark the first time Ligon has used the entire text from Baldwin’s essay in a single work.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431489752,"sku":"9783906915661","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/b2c4d86e69667fa11d2594719f878d4084f6ddb78a081c4e1170787f882240f9.jpg?v=1788534901"},{"product_id":"phyllis-galembo-mexico-masks-rituals","title":"Phyllis Galembo: Mexico Masks Rituals","description":"Published with Radius Books.\n\nSince 1985, photographer Phyllis Galembo has traveled extensively to photograph sites of ritual dress in Africa and the Caribbean. In her latest body of work, collected in this new publication, Galembo turns to Mexico, where she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress.\n\nMasking is a complex tradition in which the participants transcend the physical world and enter the spiritual realm. Masks, costumes and body paint transform the human body and encode a rich range of political, artistic, theatrical, social and religious meanings on the body. In her vibrant color photographs, Galembo highlights the artistry of the performers, how they use materials from their immediate environment to morph into a fantastical representation of themselves and an idealized vision of a mythical figure. In a gorgeous, fascinating photographic survey of Mexico's masking practices, Galembo captures her subjects suspended between past, present and future, with their religious, political and cultural affiliations—their personal and collective identifications—displayed on their bodies.\n\nPhotographer Phyllis Galembo (born 1952) received her MFA from the University of Wisconsin–Madison in 1977, and was Professor in the Fine Arts Department of SUNY Albany from 1978 to 2018. A 2014 Guggenheim Fellow, Galembo has photographs in numerous public and private collections, including the Metropolitan Museum of Art and the New York Public Library. Her photographs of ritual masks in Africa, the Diaspora and beyond have been the subject of several monographic publications, including Maske (Aperture, 2016).","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431522520,"sku":"9781942185574","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/d2095a2fbdcb6c587da0adccdb9d6f4c8116d0051ad81b2ff90c7e7bd636381d.jpg?v=1788534903"},{"product_id":"wendy-red-star-her-dreams-are-true","title":"Wendy Red Star: Her Dreams Are True","description":"Red Star transforms archival photographs, crafts and other artifacts from museum collections across the US into multimedia assemblages bridging past and present Indigenous histories","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431588056,"sku":"9798986973548","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/47d9f9167bb8de0b8be6703f99b1a30b9d1a501e12b471e430378c354f6e5194.jpg?v=1788534907"},{"product_id":"philip-guston-now","title":"Philip Guston Now","description":"Published with National Gallery of Art.\n\nA Wall Street Journal 2020 holiday gift guide pick\nPhilip Guston—perhaps more than any other figure in recent memory—has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of \"high\" and \"low\" sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art's most legendary conversion narratives. \"I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue?\"\nAnd so Guston's sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life—despite initial bewilderment from his peers—reinforced his reputation as an artist's artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns.\n\nPublished to accompany the first retrospective museum exhibition of Guston's career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston's life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art—including several perspectives on the 1960s and '70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431653592,"sku":"9781942884569","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/9093396a3c2083c3318cf28e9de6b244adc10104550080918480c7387dca86c5.jpg?v=1788534910"},{"product_id":"faith-ringgold-politics-power","title":"Faith Ringgold: Politics \/ Power","description":"Alongside reproductions of key works made between 1967 and 1981, Faith Ringgold: Politics \/ Power provides an overview of Ringgold's seminal artistic and activist work, and its historical context during these years, including accounts by the artist herself.\n\nDuring the 1960s and 1970s, Ringgold, a dedicated and impassioned civil rights advocate, established her voice as a feminist and within the Black Arts Movement. Her influential work expressed her in-depth knowledge of art history and contemporary art, as well as her activism. Spanning mediums such as painting, cut paper works, posters, collage and textile art, the works presented in this publication foreground the artist’s explicitly political pieces, for which she deployed new material and formal processes, and developed a radical aesthetics and vocabulary.\n\nOrganized chronologically, the book allows readers to retrace the artist’s foundational creative approaches to contemporaneous social, political and artistic questions. It includes illustrations of individual artworks together with previously unpublished work and archival materials.\n\nFaith Ringgold (born 1930) is a painter, mixed-media sculptor, performance artist, teacher and writer best known for her narrative quilts. In 2020, the New York Times described her as an artist “who has confronted race relations in this country from every angle, led protests to diversify museums decades ago, and even went to jail for an exhibition she organized.” Her work is in the collections of the Museum of Modern Art, New York, the Brooklyn Museum and the Baltimore Museum of Art, among others. Ringgold lives and works in Englewood, New Jersey.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371431686360,"sku":"9783948318130","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/a0dd47c7089facb2674d66e7b94daab7f673ecf586ab1ea462751e6d2dd75a36.jpg?v=1788534913"},{"product_id":"nick-cave-forothermore","title":"Nick Cave: Forothermore","description":"Published with Museum of Contemporary Art Chicago.\n\nThe definitive volume on the ever-evolving and shape-shifting work of the Chicago-based artist, Nick Cave: Forothermore highlights the way Cave’s practice has shifted and continues to shift in response to our history and current moment of cultural crisis. Including several new, never-before-seen works, the book shows an artist at the height of his power.\n\nAddressing topics ranging from art history to social justice, Nick Cave: Forothermore includes essays from Naomi Beckwith, Romi Crawford, Antwaun Sargent, Malik Gaines, Krista Thompson and Meida Teresa McNeal. Punctuating these contributions are interviews with the artist exploring his life, work and teaching practice, as well as a roundtable discussion between Cave and dancer Damita Jo Freeman, musician Nona Hendryx and publisher Linda Johnson Rice on Cave's art and influences, as well as pivotal cultural phenomena from Soul Train to Ebony magazine. Nick Cave: Forothermore reveals the way art, music, fashion and performance can help us envision a more just future.\n\nNick Cave (born 1959) is an artist and educator working between the visual and performing arts through a wide range of mediums, including sculpture, installation, video, sound and performance. Cave is well known for his Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the police beating of Rodney King in 1991. Cave has had major exhibitions at MASS MoCA (2016), Cranbrook Art Museum (2015), Saint Louis Art Museum (2014–15), ICA Boston (2014), Denver Art Museum (2013), Seattle Art Museum (2011) and the Yerba Buena Center for the Arts (2009), among others. Cave lives and works in Chicago.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371432702168,"sku":"9781942884965","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/34a76d69461a92c9600ba489d821fb94bae47b0b5b906635a84d87872dbe8d63.jpg?v=1788534921"},{"product_id":"20th-century-african-american-quilts-in-california","title":"20th-Century African American Quilts in California","description":"Published with Berkeley Art Museum and Pacific Film Archive (BAMPFA).\n\nThe first publication dedicated to historical African American quilts in California, Routed West traces the flow and flourishing of quilts in the context of the Second Great Migration from 1940 to 1970. As millions of African Americans sought greater economic opportunities and freedom outside of the American South, hundreds of thousands initially arrived in the Golden State. Many migrants carried quilts as functional objects and physical reminders of the homes they left behind. They also brought their quiltmaking skills, extending the art form’s Southern roots to the western United States in the later part of the 20th century.\n\nFeaturing vibrant images of over 100 quilts by nearly 90 individuals—the majority of whom are women and have ties to the San Francisco Bay Area—and new research, Routed West honors the resilience, self-determination, collective care and creative ingenuity of this distinctive migrant generation. Essays by scholars, curators, quilt historians and artists celebrate the joyful power of African American quilts as objects of beauty, memory and cultural reclamation within Black life, and explore the role of museums in their stewardship and preservation. This book accompanies a group exhibition of artworks drawn from the African American quilt collection at the Berkeley Art Museum and Pacific Film Archive.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371432734936,"sku":"9781636811598","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/30c21502d902d35346191805df5d257582da6557aa1ce5b1f99b146b368d7997.jpg?v=1788534924"},{"product_id":"cindy-sherman-2023","title":"Cindy Sherman: 2023","description":"This publication presents a new body of work by Cindy Sherman that continues her explorations of the genre of portraiture going back to her early work of the 1970s. Across 36 photographs, the artist collages parts of her own face to construct the identities of various sitters, using digital manipulation to accent the layered aspects and plasticity of the self. The book also includes a text by Sherman chronicling her process in the studio, offering an intimate glimpse into her thinking about the work.\n\nCindy Sherman (born 1954) came to prominence in the late 1970s with the Pictures Generation group alongside artists such as Sherrie Levine, Richard Prince and Louise Lawler. Sherman studied art at Buffalo State College in 1972 where she soon turned her attention to photography. In 1977, shortly after moving to New York, Sherman began her critically acclaimed Untitled Film Stills. By the mid to late 1980s her visual language began to explore the more grotesque aspects of humanity through the lens of horror and the abject, as seen in works such as Fairy Tales (1985) and Disasters (1986–89). Since the early 2000s, Sherman has used digital technology to further manipulate her roster of characters. In 2017, she began using Instagram to upload portraits that utilize a number of face-tuning apps, morphing the artist into a plethora of protagonists in kaleidoscopic settings. Sherman lives and works in New York, and is represented by Hauser \u0026amp; Wirth.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371432767704,"sku":"9783906915821","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/32d2acc345b5ccfdf9acfc5b488777fc5e1e212160c808d0674f8b20f552cfc3.jpg?v=1788534925"},{"product_id":"reframing-the-black-figure","title":"Reframing the Black Figure","description":"This visual gift book introduces readers to the field of Black figuration by highlighting key works from the National Portrait Gallery exhibition The Time is Always Now: Artists Reframe the Black Figure. The selections included in this brief introduction are beautiful, urgent works by 22 contemporary Black figurative artists that present the Black form with nuance and depth. Each artwork illustrated is accompanied by a short biography of the artist and quotes about their own creative proccess. Their quotes about their own creative process are juxtaposed with excerpts from influential Black writers such as Langston Hughes and W.E.B. DuBois.\n\nThis publication offers an opportunity for readers to experience some of the most exciting artworks by Black artists depicting the Black form. Within this context, the book takes on a dual role: as the accomplished work of individual artists on the one hand, and as a collective assertion of Black presence on the other.\n\nArtists include:\nHurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. 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Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume.\n\nAmong the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva’s concept of abjection, Stone Mountain’s racist tourist attraction and the minstrel tradition.\n\nRobert Hobbs (born 1946) has written more than 50 books and catalogs, focusing on such artists as Milton Avery, Alice Aycock, Lee Krasner, Robert Smithson and Kehinde Wiley. Since 1991 he has held the Rhoda Thalhimer Endowed Chair of American Art in the School of Arts, Virginia Commonwealth University. Since 2004 he has served as a visiting professor at Yale University.\n\nNow based in New York, Kara Walker was born in Stockton, California, in 1969. She received her MFA from the Rhode Island School of Design in 1994; soon afterward, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371432866008,"sku":"9781949172737","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/43312edd59fb2560845b2453e884b4a21e501655dd068784e6c5a4f347a0a442.jpg?v=1788534929"},{"product_id":"devan-shimoyama-all-the-rage","title":"Devan Shimoyama: All the Rage","description":"Bright paint, sequins, rhinestones, fabric, feathers: the paintings of Pittsburgh-based artist Devan Shimoyama (born 1989) resemble midsummer night dreams of alternative masculinities. A graduate of the Yale School of Art, Shimoyama embraces the pain and joy of Black and queer life in psychedelic day-glo colors. The majority of his works depict Black men transposed into allegorical scenes from Greek mythology and tarot imagery (Shimoyama has stated that he wants the figures in his work to be perceived as \"both desirable and desirous\"); for example, Abduction of Ganymede depicts a figure resembling the artist swept up in the air by Zeus in the form of an eagle. The painting deploys Shimoyama’s signature materials: Ganymede’s eyes are rhinestones and costume jewelry, and the eagle’s wings are gilt.\n\nThis lavishly designed catalog, produced for his first institutional solo exhibition in Europe, provides an excellent introduction to Shimoyama’s electrifying art.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371432964312,"sku":"9783775751698","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/d2b58cca09b3dea2cdc8ec28ff16305020428d73d01f7286c23d60a5b2d70588.jpg?v=1788534931"},{"product_id":"cecily-brown-the-triumph-of-death","title":"Cecily Brown: The Triumph of Death","description":"The expressive, vividly chromatic paintings of British artist Cecily Brown (born 1969) straddle abstraction and figuration. Brown is famed for referencing both the giants of Western painting and facets of popular culture, wrestling each from their assigned contexts.This volume provides an in-depth look at one of her most conceptually rich paintings yet. The titular work, The Triumph of Death, is colossal, spanning multiple panels, and conveys the figure of Death riding roughshod over a town and its residents. Inspired by a 1446 fresco housed in the Palazzo Abatellis in Palermo, Italy, Brown’s momentous piece testifies to her ongoing fascination with death. With an introduction by Sylvain Bellenger and newly commissioned texts—as well as a set of related, previously unseen drawings—the book offers comprehensive analysis on this extraordinary work.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371432997080,"sku":"9781909932753","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/e4db41eed5a5249154b53c2b5b4472ca735a3ece52f80aa58536a3e98505f749.jpg?v=1788534932"},{"product_id":"an-indigenous-present","title":"An Indigenous Present","description":"Published with BIG NDN Press.\n\nThis landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.\n\nArtists include:\n• Neal Ambrose-Smith,\n• Teresa Baker,\n• Natalie Ball,\n• Laakkuluk Williamson Bathory,\n• Rebecca Belmore,\n• Andrea Carlson,\n• Nani Chacon,\n• Raven Chacon,\n• Dana Claxton,\n• Melissa Cody,\n• Chris T. 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This book features over 100 of these paintings, prints, drawings, and photographs, helping the reader to understand the artist's changing sources of inspiration and, crucially, where his work is going. Beginning in the 1950s, when he made his first steps to becoming a modern artist, the publication charts Hockney's groundbreaking images of the early 1960s through to his famous depictions of the Los Angeles cityscape.","brand":"Abrams","offers":[{"title":"Default Title","offer_id":52371433357528,"sku":"9781849767729","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/762a6d1cd944854ad56144cf5e3b73072137403500c1c20c70ffa6819b312f69.jpg?v=1788534941"},{"product_id":"the-world-of-peter-dunham","title":"The World of Peter Dunham","description":"A-list interior designer Peter Dunham’s first book reveals his singular approach to colorful, pattern-filled interiors with world-class photography of never-before-seen projects.\n\nPeter Dunham is a Los Angeles-based interior designer known for his bold use of color and pattern, sophisticated yet casual style, and a timeless feeling. The Los Angeles Times described his style as “Merchant Ivory Moderne” and “restraint with a kick.”\n\nThe World of Peter Dunham features a dozen of Dunham’s most recent projects, ranging from chic New York City penthouses to sun-kissed California gems, as well as Dunham’s own residences, including his Paris pied-à-terre.","brand":"Abrams","offers":[{"title":"Default Title","offer_id":52371433455832,"sku":"9780865654440","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/52b29075da114d347524c2c2785a409fb2248b0e9d528e6c7464e7db7c9f83b1.jpg?v=1788534942"},{"product_id":"robert-gober-the-heart-is-not-a-metaphor","title":"Robert Gober: The Heart Is Not a Metaphor","description":"Robert Gober rose to prominence in the mid-1980s and was quickly acknowledged as one of the most significant artists of his generation. Early in his career, he made deceptively simple sculptures of everyday objects--beginning with sinks and moving on to domestic furniture such as playpens, beds and doors. In the 1990s, his practice evolved from single works to theatrical room-sized environments. In all of his work, Gober's formal intelligence is never separate from a penetrating reading of the socio-political context of his time. His objects and installations are among the most psychologically charged artworks of the late twentieth century, reflecting the artist's sustained concerns with issues of social justice, freedom and tolerance. Published in conjunction with the first large-scale survey of the artist's career to take place in the United States, this publication presents his works in all media, including individual sculptures and immersive sculptural environments, as well as a distinctive selection of drawings, prints and photographs. Prepared in close collaboration with the artist, it traces the development of a remarkable body of work, highlighting themes and motifs that emerged in the early 1980s and continue to inform Gober's work today. An essay by Hilton Als is complemented by an in-depth chronology featuring a rich selection of images from the artist's archives, including never-before-published photographs of works in progress.\n\nRobert Gober was born in 1954 in Wallingford, Connecticut. He has had numerous one-person exhibitions, most notably at the Dia Center for the Arts, New York; The Museum of Contemporary Art, Los Angeles; and Schaulager, Basel. In 2001, he represented the United States at the 49th Venice Biennale. Gober's curatorial projects have been shown at The Institute of Contemporary Art, Boston; The Menil Collection, Houston; Hammer Museum, Los Angeles; and the Whitney Museum of American Art, New York. He lives and works in New York.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371433488600,"sku":"9780870709463","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/167163c87bedb97f1a74d1753295f803c82582cc80c0c221ea8add8ad793faf5_2bcb8b4a-2f7e-4761-b221-1dcdcd523eec.jpg?v=1790066364"},{"product_id":"john-miller-the-price-club","title":"John Miller: The Price Club","description":"For writer, critic and artist John Miller, the issue of the production-reception of a work of art is a genuine dialectic. He argues that the artist has no choice but to address the sociopolitical questions and the ideological apparatuses linked to the production of cultural “artefacts.” Hence, his witty title, drawing attention to art as commodity. From polemical pieces to extensive theoretical essays to studies of Ed Ruscha, Bruce Nauman, Richard Artschwager and John Baldessari, the texts collected here respond to the ongoing collision of aesthetics and exchange value. Throughout, Miller draws upon his seemingly inexhaustible knowledge of art history, theory and popular culture. As critic Bruce Hainley has written in Artforum, “Miller's essays are a pungent intervention into the ideologies of beauty, representation and looking.”","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371433652440,"sku":"9782940271054","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/e297a2cb292bc7da69ee25ab91e5c152fc88edcc874ad16ded58fe96c4bf237f.jpg?v=1788534948"},{"product_id":"john-miller-a-refusal-to-accept-limits","title":"John Miller: A Refusal to Accept Limits","description":"Using well-used genres like figurative painting, travel photography and landscape, John Miller has, since the 1970s, challenged the function of the author and the concomitant loss of aura for the artwork. He has regularly shifted his practice, actively resisting the reduction of his work to any critical tag. This volume remaps Miller's oeuvre.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371433685208,"sku":"9783037640326","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/dc51bfbed0fb6ff890ce25eab5c11f0ed340b6bde4aa3256a469221b317cf70c.jpg?v=1788534950"},{"product_id":"dan-graham-video-architecture-television","title":"Dan Graham Video - Architecture - Television","description":"This title, published in 1979 and long since out of print, now appears as a reprint from Lars Müller Publishers. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper König and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham’s artistic examination of the video medium. Graham’s installations and performances with video from the years 1970–78 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture.The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.Dan Graham, born in Urbana, Illinois, in 1942, is one of the most renowned contemporary artists. His work often focuses on cultural phenomena, incorporating materials as diverse as photography, video, performance, glass, and mirror structures. 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For this reason, although she works in painting, sculpture, installation and performance, she most often deploys photography as her medium of choice.\n\nThis catalog is published on the occasion of Rosenberg’s solo exhibitions at the Mishkin Gallery, Baruch College, City University of New York (CUNY) and Pioneer Works. It pairs a selection of works spanning 50 years with 11 texts from notable writers such as director and actress Lena Dunham, curator and critic Robert Nickas, and curator Lumi Tan. This publication offers the first comprehensive overview of Rosenberg's work.","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":52371433750744,"sku":"9781945711176","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/4a4625eaf6f63d5e4d1388c8e50a44a8c03ffd5f2cdf68d53f6fd56a467cfdf5.jpg?v=1788534954"},{"product_id":"great-women-painters","title":"Great Women Painters","description":"A sumptuous survey of over 300 women painters and their work spanning almost five centuries.\n\nGreat Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring more than 300 artists from around the world, it includes both well-known women painters from history and today's most exciting rising stars.\n\nCovering nearly 500 years of skill and innovation, this survey continues Phaidon's celebrated The Art Book series and reveals and champions a more diverse history of art, showcasing recently discovered and newly appreciated work and artists throughout its more than 300 pages and images.\n\nArtists featured include: Hilma af Klint, Eileen Agar, Sofonisba Anguissola, Cecily Brown, Leonora Carrington, Mary Cassatt, Elaine de Kooning, Marlene Dumas, Nicole Eisenman, Jadé Fadojutimi, Helen Frankenthaler, Artemisia Gentileschi, Maggi Hambling, Carmen Herrera, Gwen John, Frida Kahlo, Tamara de Lempicka, Agnes Martin, Joan Mitchell, Alice Neel, Plautilla Nelli, Georgia O'Keeffe, Paula Rego, Bridget Riley, Jenny Saville, Dana Schutz, Lee Krasner, Yayoi Kusama.","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437355224,"sku":"9781838663285","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/c3b08cf15310e60c54dfd7e411435e0a707a57f39498246d235754ca30713aa2.jpg?v=1788535064"},{"product_id":"latin-american-artists-from-1785-to-now","title":"Latin American Artists: From 1785 To Now","description":"As seen in The New York Times, Vogue Mexico, Latina Magazine, and The Art Newspaper.\n\nThe essential survey showcasing the work of more than 300 modern and contemporary artists born or based in Latin America.\n\nLatin American artists have gained increasing international prominence as the art world awakens to the area’s extraordinary art scenes and histories. In an accessible A-Z format, this volume introduces key artworks by 308 artists who together demonstrate the variety and vitality of artwork being made. Focusing on those born, or who have lived, in the 20 Spanish and Portuguese-speaking regions of Latin America, and featuring historic and living artists – both those celebrated internationally and names less-known outside their native countries – this book has been created in close collaboration with an expert panel of 68 advisors and writers.","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437387992,"sku":"9781838666606","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/55bdccf13efa01470456bb9cb20802d2398bf61061e44d7b28ab3f094c541023.webp?v=1788535067"},{"product_id":"vitamin-v","title":"Vitamin V","description":"The most comprehensive survey to date of contemporary video and moving-image art from the last decade\n\nVideo has never been more prevalent in contemporary art than it is today. At a time when moving images have saturated daily life, artists continue to draw new possibilities from the medium.\n\nFrom live-action documentation to hand-drawn animation, participatory video-game technologies, and computer-generated imagery, Vitamin V: Video and the Moving Image in Contemporary Art presents over 850 images from more than 100 artists. Discover recent work by established names as well as rising stars in the contemporary art world, all nominated by a global panel of high-profile art-world figures.\n\nRichly illustrated with multiple examples of works by each artist, including stills and installation views, Vitamin V is the first book in Phaidon’s celebrated Vitamin series to focus on the moving image. An insightful essay by renowned scholar Erika Balsom surveys the history of video art from the 1960s.","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437453528,"sku":"9781838668730","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/a01b46330cb02c5a36052812640c5380a989000983efcd6e96705de5aad89d36.webp?v=1788535069"},{"product_id":"vitamin-c-collage-in-contemporary-art","title":"Vitamin C+: Collage in Contemporary Art","description":"Over 100 global artists working with collage, as chosen by art experts, now available in paperback for the first time.\n\nCollage is an artistic language comprising found images, fragmentary forms, and unexpected juxtapositions. While it first gained status as high art in the early twentieth century, the past decade has seen a fresh explosion of artists using this dynamic and experimental approach to image making. Taking a broad definition – from analog cut-and-paste compositions and photomontages to digital composed imagery and animations – Vitamin C+, now available in paperback, showcases 108 living artists who employ collage as a central part of their visual-art practice, as selected by 69 leading experts, including museum directors, curators, critics, and collectors. The survey also features an engaging and informative introduction by Yuval Etgar, an internationally renowned expert in the area.\n\nOrganised in an A-Z sequence by artist, the book features both well-known collagists including Njideka Akunyili Crosby; Ellen Gallagher; Peter Kennard; Linder, Christian Marclay; Wangechi Mutu; Deborah Roberts; Martha Rosler; and Mickalene Thomas, and a plethora of lesser-known names deserving of greater attention.\n\nThe 69 expert nominators include: Cecilia Alemani; Iwona Blazwick; David Campany; Raphael Chikukwa; Patrick Elliott; Max Hollein; Hettie Judah; Christine Macel; Roxana Marcoci; Duro Olowu; Scott Rothkopf; Russell Tovey; Zoe Whitley; and Heidi Zuckerman.\n\nThe 108 artists featured include: Njideka Akunyili Crosby; Kader Attia; Adam Broomberg; Sara Cwynar; Moyna Flannigan; Ellen Gallagher; Lauren Halsey; Lyle Ashton Harris; Thomas Hirschhorn; Peter Kennard; Justine Kurland; Linder; Christian Marclay; Wangechi Mutu; Frida Orupabo; Heather Philipson; Tabita Rezaire; Deborah Roberts; Martha Rosler; Dee Shapiro; Eva Stenram; John Stezaker; Mickalene Thomas; Kara Walker; and Billie Zangewa.","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437486296,"sku":"9781837292226","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/b3662e6ec4971dcf94abd9f141ed292e50c2c02d1e20896b7688fd5c99fb09d4.jpg?v=1788535072"},{"product_id":"marlene-dumas-revised-and-expanded-edition","title":"Marlene Dumas: Revised and Expanded Edition","description":"An investigation into the human form as painted by the acclaimed artist.\n\nMarlene Dumas (b.1953) is a South African-born, Amsterdam-based painter, and an internationally admired artists. Dumas recalls in her work the painterly gestures of Expressionism, whilst combining the critical distance of Conceptual art with the pleasures of eroticism. Through her delicately painted oil-on-canvas or ink-and-watercolour depictions of the female form as well as portraits of children and erotic scenes, she comments on the state of painting today. What does it mean to be a woman working within the predominantly male genre of expressionist painting? The artist often depicts women: their expressions, their body and facial typologies, their self-image, their ideals. The relationships between art and female beauty – or between art-historical models and twentieth-century supermodels – are constant themes in her work. Dumas does not paint from life but deliberately chooses ‘stock’ images from a variety of sources, from magazine cuttings to picture postcards to Old Master paintings, as re-observed through her contemporary perspective. Since the late 1970s she has exhibited widely, with solo exhibitions at the Tate Gallery, London (1996), the Museum für Moderne Kunst, Frankfurt (1998), the Museum van Hedendaagse Kunst, Antwerp (1999), the Centre Pompidou, Paris (2002), the New Museum, New York (2002), the Museum of Contemporary Art, Los Angeles (2008) and the Museum of Modern Art, New York (2008).\n\nDutch art critic Dominic van den Boogerd surveys themes in Dumas’ work in relation to a range of conceptual legacies in depictions of the human figure. New York artist Barbara Bloom interviews Dumas on questions contemporary women artists are asked, from issues of intellectual process to the representation of the self. Art journalist and former Editor of Vogue Italia Mariuccia Casadio focuses on Dumas’ painting Josephine (1997), reflecting on the iconic legacy of Josephine Baker. For her Artist’s Choice Dumas has selected two authors: Oscar Wilde, whose story ‘The Fisherman and His Soul’ inspired the artist’s early series of works on the theme of mermaids; and Jean Genet, whose autobiography Le Journal du voleur (1949, trans. Thief’s Journal, 1964) is excerpted here. Marlene Dumas has often acted as a spokesperson for her work; the Artist’s Writings section features many such seminal texts on her own art as well as meditations on love, religion, politics, and a discussion of Goya’s painting The Fates. In the Update section art critic Jan Avgikos surveys Dumas’ work from 1999 to present.","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437551832,"sku":"9780714845845","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/9087a52eda9ba10e9a83b507c22b11fc9a06fc58b7bc2a16fa8c2416a9594877.png?v=1788535075"},{"product_id":"500-self-portraits","title":"500 Self-Portraits","description":"A compelling collection of self-portraits from throughout recorded history, revised to include captivating contemporary works.\n\nThe challenge of interpreting and recreating their own likenesses has proven irresistible to artists throughout the ages. Originally published more than 80 years ago and last revised in 2000, this wholly new edition for 2018 presents a selection of powerfully evocative works by many of the world's greatest artists - from Dürer and Rembrandt to Marina Abramović, David Hockney, and Cindy Sherman - working in painting, photography, sculpture, and performance. Flowing in a chronological sequence, with interspersed artist quotes, it features essays by Julian Bell and Liz Rideal. This is both a useful resource and a thoughtful celebration of a much-loved art form.","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437584600,"sku":"9780714875958","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/eef7f602d5aa06fe89d27ef9687118237cc4cc0a12923f14acefdd6132f77e3d.webp?v=1788535077"},{"product_id":"ai-weiwei","title":"Ai Weiwei","description":"\u003cp\u003eAi Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive outdoor sculpture. As much as these materials look to the past, they also speak of the present, because never before (and probably never again) have they been available in such abundance. Like his benches carved from centuries-old temple beams, Template is a sly commentary on the speed with which China's building boom is obliterating its past. (When Template collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.) In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest. Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures. At a time when the West is finally discovering Chinese contemporary art, Ai is one of the few to have transcended the label 'Chinese artist'. In part thanks to his gallery Urs Meile (Lucerne and Beijing), Ai has won the support of strong European collectors. His work is increasingly being shown at major venues around the world (Kunsthalle Bern, Kunsthaus Graz, Tate Liverpool) and included in major international exhibitions (the Moscow Biennial, the Guangzhou Triennale, Documenta). A complex, multi-faceted artist, Ai \u003c\/p\u003e","brand":"Phaidon","offers":[{"title":"Default Title","offer_id":52371437617368,"sku":"9780714848891","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/9605\/0648\/files\/00075e9fcc6e28f3e9bfdd537f6fb70c6848e32040d641fdf1aaebdcd8935c03.jpg?v=1788535079"}],"url":"https:\/\/pleasedtopresent.org\/collections\/art-books.oembed","provider":"Pleased to Present","version":"1.0","type":"link"}